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Create secondary characters 1. Determine their function Secondary characters are needed to: - Helping or hindering the main character (friend, mentor, traitor). - Revealing the world (a merchant will tell you about the economy, a soldier will tell you about the war). - Creating atmosphere (servants, passersby, random witnesses). 2. Simplified biography They don’t need in-depth elaboration, but are important: - Where they come from (town native, former warrior). - How related to the main characters (old friend, secret enemy). - One striking trait (talkativeness, cynicism, loyalty). 3. Appearance and speech 1-2 details are enough to be memorized: - Unusual clothing (always wearing a red cloak). - Speech peculiarity (whispers, speaks in proverbs). - Physical feature (limp, huge stature). 4. How they affect the plot Even episodic characters should: - Give information (tell a legend, warn of danger). - Change the situation (accidentally save, betray). - Emphasize the protagonist’s character (a cowardly friend makes the protagonist’s courage more visible). 5. Avoid “empty” characters If the hero does not affect the plot and is not memorable — it is better to remove him or combine him with another.***
Now you know how to create characters. Let’s give an example. Main character - Name: Karian. - Role: protagonist, former soldier. - Goal: to find his wife’s killer. - Appearance: scar on his cheek, wears an old officer’s cloak. - Character: silent, but ruthless in anger. - Conflict: wants revenge, but realizes that he will become like the murderer. Antagonist - Name: Lord Vane. - Role: secretly ordered the murder. - Motive: eliminated Karian’s wife to hide his plot. - Peculiarity: always smiles, even when threatened. Secondary Character - Name: Old Man Hobb. - Role: informant in the tavern. - Detail: constantly chewing dried fruit, knows all the gossip. - Function: gives Carian a clue.***
It’s pretty simple. But how do you figure out which character is major, which is minor, and which is episodic? - Main characters: if you take them out, the plot falls apart. - Secondary: if you take them out, the story loses details but survives. - Episodic: their absence won’t be noticed, but their presence adds atmosphere.